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The Guggenheims : A Dynasty of Art Collectors Andrew Hopkins Thursday 25 July 2019

What other family in the twentieth century managed to amass such extradordinary art collections, and design or purchase such outstanding buildings to display their collections? Compared to the Frick and the Gulbenkian, individual collections displayed in single museums, the Guggenheim name was transformed in the late twentieth century into a brand, some would say a chain. With celebrated museums in New York, with the flagship Solomon R. Guggenheim landmark on Fifth Ave., together with the Peggy Guggenheim Collection on the Grand Canal in Venice, the family foundation did not stop there. They commissioned the celebrated building by Frank Gehry in Bilbao, which opened in 1997, and which is now considered a masterpiece of modern architecture and design. Other expansion plans have not fared so well, with outposts in Las Vegas and Berlin closing after some years and new building projects in Vilnius and Helsinki have been abandoned after opposition by residents, who were not persuaded that they needed a Guggenheim in their city. Andrew Hopkins will look at the beginning of both Solomon's and Peggy's collections in New York City, with artists they acquired such as Kandinsky and Pollock, and traces the development and expansion of their collections over more than half a century, by which time their name became synonymous with some of the most inspiring art and museums in the world.

Andrew Hopkins was previously Assistant Director of the British School at Rome from 1998 to 2002 and since 2004, Associate Professor at the University of L'Aquila. Part of his PhD (Courtauld Institute 1995) on Venetian architecture was awarded the Essay Medal of 1996 by the Society of Architectectural Historians (GB). A Fellow at Harvard University's Villa I Tatti in Florence in 2003-2004, and in 2009 was the the Paul Mellon Senior Visiting Fellow, Centre for the Visual Arts, National Gellery of Art, Washington D.C. Amongst his many publications are, with Arnold Witte, Alois Riegl, The Origins of Baroque Art in Rome (2010), and Baldassare Longhena and the Ventian Baroque (Spring 2012).